Patinas Pointed with 2 Style Reguler and Destroy.
Modern Urban Serif Font, Powerfull and has a great Character,
Good Font to use for covering your Project,
like Branding, Headline Letter, Flyer, Signage, Quotes, Poster Typography,
Bookcover, Magazine cover, Poster, Quotes Lettering, Logos, and more your project design.
- Unique glyphs
- Multilingual Characters Support
- UPPERCASE
- Lowercase
- Numeric
- Symbol
- Punctuation Character
inumocca type
Studio
Hello, on this occasion, we would like to introduce a new font. which we named him "CHLEONA", a font that we design with an elegant, stylish and simple shape at a relatively affordable price but has good quality. This font has the following advantages.
Featured
Seductive Height has been realised
Seductive Height is sans serif font. It is unic font. all Character have hight stem. That make this font look simple but elegant. Seductive Family has 10 font style with different wieght. you also will get lowercase, uppercase, number, function, multilingual, and some alternate. Suitable for many project (formal or informal).
Features
Lowercase/Uppercase/ Numbers & Punctuation / Extensive Language Support/Alternate
Introducing new typeface. Caniago- A modern, luxury, fashionable display serif font. Embargo perfectly used for product presentation, elegant logo design, packaging or invitation cards or heading text. it is allcap with symbol and multilingual support
Two style,
Caniago Italic
Caniago Regular
Features
Two style/ Numbers & Punctuation / Extensive Language Support/ligature/Alternate
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Kris Kringle is a bold and chunky lettered display font. Add this font to your creative ideas and notice how it will make them stand out! All caps fonts.
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| Download Kris Kringle Fonts Family From Sealoung |
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Rialto dF is a book face inspired by calligraphic tradition. Named after the famous bridge in Venice, it was conceived as a bridge between calligraphy and typography, roman and italic. It can also be thought of as an imaginary bridge between Italy and Austria, since it is the result of collaboration started in 1995 between the Austrian Lui Karner and Venetian Giovanni de Faccio.
The letterforms of Rialto dF were drawn directly in digital format with a starting point deriving from humanistic letterforms memorized in the hearts, minds and the manual ability of its designers… As tradition demands, uppercase, numerals and punctuation are used in combination with italics – the same solution adopted by Francesco Griffo when he cut his first italic for the Virgil, the first of the octavo series printed and published in Venice by Aldus Manutius in 1501.
Rialto dF comes in two optical weights: Piccolo, for up to 14 pt, and Grande for 16pt and above. Alternate characters and various dingbats are also provided and these are available through OpenType features developed by type designer and technician Karsten Luecke.
