Showing posts with label 1970s. Show all posts
Showing posts with label 1970s. Show all posts

[nvpvn] Download Atwin fonts from Cubic Type

Atwin
Atwin AtwinAtwin



Atwin is a modern remake of Gemini, hence the name (Atwin = “A twin” = Gemini, the twin of the zodiac). It is inspired by the angular and unusual forms of the numbers on bank cheques (so-called MICR).

Large blobs of weight are thrown around the glyphs often in unfamiliar patterns. It makes for an angular but also blobby design that disrupts and breaks away from tradition.

You should use Atwin to add flair and confidence to sci-fi, futurist, outré, or just plain unusual materials. Good in displays sizes.

Latin-based scripts are well supported with a generous supply of punctuation and diacritics.

Kerned to perfection. Tight.





Acid Green fonts from The Flying Type - (fllqz)

Acid Green
Acid Green Acid GreenAcid Green



Acid Green has quite a psychedelic flair, but its origins are from long before the sixties psychedelia.

Its roots date back to 1914, from an unnamed alphabet by J.M. Bergling, the amazing jewelry engraver and 'letterform inventor'—as he considered himself—whose books of art alphabets and lettering influenced countless artists, including, not surprisingly, those involved with the genesis of Art Nouveau and Art Deco movements.

Perfect for multiple display uses, including retro designs and trippy letterings, Acid Green has an extensive character set, with multilingual support covering 208 languages. There are yet some handy stylistic alternatives for some extra grooviness.

Acid Green is somewhat retro looking, for sure, but it can sound perfectly contemporary too. Tune in and enjoy a creative trip!


[Pizza illustration on the first graphic by our neighbor @pedrocorrea84]





[hxvuorsvjf] Download Masantina Fonts Family From Estudio Calderon

Download Masantina Fonts Family From Estudio Calderon


A clean, elegant and modern serif that has a strong personality thanks to its soft endings, rounded terminals, inspired from Cheltenham, Belwe and Souvenir.


Masantina is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. 



Download Masantina Fonts Family From Estudio Calderon


[jsslggzgdi] Download Klangfarbe Script Fonts Family From Mysterylab

Download Klangfarbe Script Fonts Family From Mysterylab


Klangfarbe is a quirky ultramodern script with unique stroke tapers and droplet-like finials. This font is a true chameleon and is very much at home with a variety of looks: from a reimagining of kitschy 1950s scripts, to analog retro-tech, to steampunk, to high-fashion futuristic logos and beyond. Klangfarbe — a German language term meaning “timbre” or “sound color” — references the visual appearance of audio frequency waveforms echoed in many of the lowercase letters. A truly eye-catching choice.



Download Klangfarbe Script Fonts Family From Mysterylab


Download Heller Sans JNL Fonts Family From Jeff Levine

Download Heller Sans JNL Fonts Family From Jeff Levine
Download Heller Sans JNL Fonts Family From Jeff Levine Download Heller Sans JNL Fonts Family From Jeff LevineDownload Heller Sans JNL Fonts Family From Jeff Levine



Heller Sans JNL is based on the main letterforms of an experimental alphabet designed by Steven Heller; noted author of over 170 books on design and visual culture. Some modifications were made in turning his design into a digital font. In his own words, here is the background to this typeface: “I recently recovered this from the junk heap. It is a yellowing photostat of my first and only typeface design (1969-70). Total folly! At the time I was smitten by Art Moderne lettering. I called it “Klaus Boobala Bold” because I liked the K and B. I’ve lost the letters S through Z, which were made. The letters were drawn with compass, Techno pen (that frequently clogged). as well as a triangle and T-square. The inline and outline made no real logical sense. I based the design, in part, on Kabel, Avant Garde and it was a product of whatever I could accomplish with those tools. The caps-only alphabet was photographed and produced as a film negative that was cut in foot-long strips and spliced to fit on a Typositor reel. Sadly, the negatives made for the font were too brittle and the splice snapped apart in the Typositor. I worked on it for well over a month and used the face only once. I realized with this attempt, like so many other times I attempted different challenges, that type design — indeed mechanical drawing — was not my strong suit.” Heller Sans JNL is available in both regular and oblique versions.


Download Heller Sans JNL Fonts Family From Jeff LevineDownload NowView Gallery