Showing posts with label 20th century. Show all posts
Showing posts with label 20th century. Show all posts

Download Corvus Fonts Family From Artisticandunique

Download Corvus Fonts Family From Artisticandunique
Download Corvus Fonts Family From Artisticandunique Download Corvus Fonts Family From ArtisticanduniqueDownload Corvus Fonts Family From Artisticandunique



Corvus is a display serif font family, stylized with elegant soft turns that soften the sharp ends. Due to its structure, this font can meet your needs in all your modern or classic creative projects.


Corvus is ideal for creating your creative projects on similar subjects with its gloomy and Modern Gothic stance.


Absolutely perfect for titles, magazines, books, invitations, logos, packaging design, branding and more!


Character Ranges:


Basic Latin,

Latin-1 Supplement,

Latin Extended-A,

Latin Extended-B,

General Punctuation,

Currency Symbols,

Letter like Symbols,Arrows,

Mathematical Operators,

Miscellaneous Technical,

Geometric Shapes,

Miscellaneous Symbols,

CJK Symbols And Punctuation,

Private Use Area (plane 0),

Alphabetic Presentation Forms


Uppercase typeface

Lowercase typeface

Numbers

Symbols

Multilingual


With this font you can create your unique designs.


If you have a question, please contact me.


Have a good time.



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Download Mozsar Font Family From Miklós Ferencz

Download Mozsar Font Family From Miklós Ferencz
Download Mozsar Font Family From Miklós Ferencz Download Mozsar Font Family From Miklós FerenczDownload Mozsar Font Family From Miklós Ferencz



Mozsár, named after Mozsár Street in the downtown of Budapest (pronounced ‘mo-zhar’, meaning mortar in Hungarian.) Mozsár is a unicase display typeface with constructivist characteristics from the early 20th Century. It uses pure geometric shapes and purposefully departs from strict typographical rules to give a more friendly look. With Mozsár you can create really unique and awesome looking displays, titles and even name plates for your business. It works very well in big size. The central idea behind the design was that two variants of the typeface would randomly alternate as the user types. The typeface uses Contextual Alternates (CALT) created with the OpenType’s semi-random feature to mix the variants. The width and height of the letter shapes are generally equal, but I made some exceptions to lend the type a character of unexpectedness. The curves are identical in both versions of each letter, and the intersections of the axes are always perpendicular (with some evident exceptions).


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