Showing posts with label british. Show all posts
Showing posts with label british. Show all posts

Bowdon fonts from K-Type - (nsvad)

Bowdon
Bowdon BowdonBowdon



Bowdon is a warm, Bodoni-inspired English Modern, influenced by the 1930s lettering of designer Barnett Freedman.


Slightly rounded corners give characters a printed-look softness, and hairlines are thickened a little to increase legibility at smaller sizes, reducing the harshness and dazzle that can afflict Didone typefaces.


Bowdon is supplied in three widths – Regular, Wide and Narrow – and each width is accompanied by a utilitarian oblique rather than a fancy italic. Each font includes a full Latin Extended-A character set and additional oldstyle numerals.





[nkajitkjrj] Download P22 Underground Pro Fonts Family From P22 Type Foundry

Download P22 Underground Pro Fonts Family From P22 Type Foundry
Download P22 Underground Pro Fonts Family From P22 Type Foundry Download P22 Underground Pro Fonts Family From P22 Type FoundryDownload P22 Underground Pro Fonts Family From P22 Type Foundry



The P22 Underground Pro font family started in 1997 as the first and only officially licensed revival of Edward Johnston’s London Underground railway lettering. The original design by Richard Kegler sought to be as true to the original as possible. In 2007 P22 revised and expanded the fonts into a massive character set with additional weights, language support, and stylistic alternates.


Endeavoring to make this font family a more versatile and useful tool for a designer, P22 sought to add true italics to this stalwart type design. The only other existing italic interpretation of Johnston’s Underground type was executed by the inimitable Dave Farey and Richard Dawson at Housestyle Graphics. We asked Dave Farey to imagine an Underground italic that would pair well with the P22 Underground, done as if Edward Johnston himself might approach the design challenge.


This new italic version was then expanded for all six of the existing P22 Underground weights and characters sets by James Todd of JTD Type. Final mastering of the P22 Underground Pro roman and italic with a streamlined yet still expansive language coverage by P22 partner Patrick Griffin of Canada Type. These refinements remain true to the original Johnston design while employing contemporary typographic finesse to create six weights with optional alternates to increase legibility. The new P22 Underground Pro family is now a rock-solid and very versatile humanist sans serif font family that should be a cornerstone of any designer’s typographic toolkit. After five years in development, the new P22 Underground Pro is the most iconic and useful font family ever presented by P22 Type Foundry.



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Download British Vehicle JNL Fonts Family From Jeff Levine

Download Vtg Stencil UK No2 Fonts Family From astype

Download Vtg Stencil UK No2 Fonts Family From astype
Download Vtg Stencil UK No2 Fonts Family From astype Download Vtg Stencil UK No2 Fonts Family From astypeDownload Vtg Stencil UK No2 Fonts Family From astype



The Vtg Stencil series of fonts from astype are based on real world stencils. The UK No. 2 design was derived from authentic one inch A2 Roman stencil plates from Great Britain, manufactured around the 1950s.


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Download Winsel Fonts Family From insigne

Download Winsel Fonts Family From insigne
Download Winsel Fonts Family From insigne Download Winsel Fonts Family From insigneDownload Winsel Fonts Family From insigne



You stand, poised at the brink. If you do not choose the right, the best typeface, this may be one of the greatest disasters in your history. The whole root and core and brain on which and around which your project is built seems about to perish into an ignominious end. But I do not for a moment fail to believe that Winsel shall prevail for you. This bold new face, founded from the tested mind of insigne design, will in the moment of need wield for you the full might of its ancestors. The entire strength of the British Empire’s vernacular poster lettering spanning the 1920’s to the 1950’s drives the very heart of every feature and weight this font has to offer. Winsel’s expanded design is sharp and angular, based on pointed brush strokes. Its thick, sturdy appearance will draw and direct your reader’s mind to the weight and importance of your messages and titling. Within the font’s full forces work a range of styles to achieve victory in the contest ahead: thick weights that are compact and muscular for carrying a heavier load and lighter, finer weights to lead you through your more sensitive operations. It stands equipped with OpenType features, ready to support most European Latin-based languages and providing features such as Small Caps and Titling Caps in all nine of its weights. Well-honed for the task ahead, Winsel has been crafted to ride out the storm of mediocrity and to outlive the merits of inconsequence, if necessary for years, if necessary alone. There has never been in all the world such an opportunity for you. With Winsel, you shall go on till the end. You shall write on the beaches. You shall write on the landing grounds. You shall write with growing confidence and growing strength in print or on the air. Every morn has brought forth a noble chance. Your chance this day is Winsel.


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Download Greenwich Fonts Family From Mint Type

Download Greenwich Fonts Family From Mint Type
Download Greenwich Fonts Family From Mint Type Download Greenwich Fonts Family From Mint TypeDownload Greenwich Fonts Family From Mint Type



Greenwich is a modern-looking humanized sans-serif typeface with open aperture, inspired by the works of English typographers in 1910s–1920s. It comes in 9 weights accompanied with matching mixed-style italics. Containing over 950 glyphs, Greenwich offers extensive language support including Cyrillic, multiple OpenType features and numerous alternate glyphs to choose from. It works great in long paragraph texts, but is expressive enough to be used in headlines and branding applications as well.


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